DVD Review: MxPx – “B-Movie”

by on November 15, 2004 @ 12:04 pm

MxPx has been a band for ten years now. Damn, it seems just the other day that I’d heard “Chick Magnet” for the first time. Anyhow, these pop-punkers have been on Tooth & Nail, A&M, and now make their SideOne Dummy debut with this DVD and acoustic EP combo.

The EP features four new songs and a really lovely reworking of “Invitation to Understanding” off 1998’s Slowly Going the Way of the Buffalo. The reworked track actually fair better than the new songs, simply because of its familiarity. The new tunes are good, but lack energy, most likely because they were arranged to be played acoustically.

Now, then… the DVD. B-Movie is the sort of DVD I usually avoid purchasing. There’s just something about combining live footage with interview type stuff that’s never really been able to draw me in, no matter how well it’s done or how much I like the band. And while I’ve liked MxPx for years now, I’ve never really been a huge fan.

The movie isn’t bad, it’s just that it doesn’t really feature enough of any one thing to get me going. There’s no full live show, there’s no music videos, and it’s all pretty much slice-of-life stuff about the band interspersed with live footage. The audio quality of the live footage is fantastic, and the footage would be great if they’d cut back on the jumpy quick edits.

For fans of the band, I’m sure this all borders on crack, as B-Movie is loaded with pictures, interviews, and stuff. I guess what bothers me most about the disc is that it seems to be all extras. There’s nothing that really makes me want to buy it. Personally, I’m happiest when bands put out a live show, or a collection of music videos. All the stuff that’s on MxPx’s DVD is material I consider to be “bonus content” on a regular release.

SideOne Dummy Records
MxPx

Not really knock-offs

by on November 13, 2004 @ 8:41 am

Today, we will be exploring a couple of bands that sound like other bands, but still manage to keep their tunes unique enough to avoid mockery by me.

First off, we have the Ruffians, from New York City. They sound an awful lot like Flogging Molly, who in turn sound an awful lot like the Pogues. Happily, they’re willing to admit that they sound like Flogging Molly and the Pogues. I’d really love to see the Ruffians live, as they seem like they’d be a hell of a lot of fun- the sort of band you’d want to play your birthday party and drink all your beer. There’s a strong possibility they may do the best Pogues cover ever. Never have I heard a man sound so much like Shane McGowan without being age 40+ and an alcoholic.

And, secondly, are the Phenomenauts. Not only do they sound like Man Or Astroman? (only with vocals), they look like them, too. It’s kinda creepy, and somewhat eerie. However, they milk the rockabilly tip of the Man Or Astroman? sound a lot more than the surf side, so they actually come off as a more country type of band. Granted, how a band can be country, and also be from outer space, I’m not certain.

Seriously, though, both bands are worth checking out. Both the Ruffians and Phenomenauts have plenty of sound video samples on their sites (so you can check out each band in the comfort of your computer chair), along with links to buy their cds and assorted other merch.

On my radio

by on November 9, 2004 @ 3:07 pm

I posted about Indie 103.1FM in LA a while back, and I think that if you liked that, you might be ready for a really indie radio station. It’s time for you all to delve into the exciting world of… COLLEGE RADIO!

School is about halfway through the fall session all across the country, meaning that college radio stations are finally getting their new recruits broken in.

For those of you out there not fortunate enough to live in a college town, you’re really missing something. There’s just something different about college radio, as opposed to your usual Clear Channel owned piece of crap. College radio will not play the same 40 songs all day, all week. College radio does not bombard you with the new Britney Spears single three times in one hour (an actual occurrence on one Kansas City radio station). There’s no morning drive-time show, featuring loudmouth asses making the same jokes day after day after fucking day.

This is not to say that college radio stations are the be-all, end-all of radio goodness. Lord knows, you give up a bit when you listen to one of them. Those cool-sounding, well-spoken djs that keep you entertained? Yeah… there’s probably one of them amongst the thirty or forty djs working at the station. And they probably work the 2am-4am slot on Wednesday mornings.

The rest of the on-air “talent” is more likely to skew towards the most awkward music geeks on the face of the planet or mind-numbingly dull and uninformed broadcast journalism majors. The former is going to use “um” and “uh” and “er” about four or five times per sentence spoken, bit will have a pithy comment or interesting tidbit about most of the music they play. The latter will be able to speak well, but will know next to nothing about the music they play, even to the point of mispronouncing band names, or out and out fucking up of band names. My personal favorites being the dj that referred to Gorky’s Zygotic Mimcy as Gorky’s Psychotic Monkey, and the guy who pronounced Cibo Matto (“cheebow mah-toe”) as “Seebo Matto.”

Of course, this is the price you pay for getting to hear interesting music. Seriously, is there any other sort of radio station, other than college stations, where you can hear White Zombie, the Mountain Goats, Oingo Boingo, and DJ Shadow in the same twenty minute block? And, hell, at least at the station here in Lawrence (that would be the University of Kansas’ station, KJHK 90.7FM), you get a request filled in about ten minutes.

I’d also be remiss in my commentary were I to exclude the idea of specialty programming. On damn near every college radio station I’ve had the chance to hear, there’s been a wealth of special shows. These programs cover the gamut- everything from hip-hop to electronica to ska to metal to politics to sex.

Tune into KJHK Monday mornings 9am-noon Central standard time for the station’s Breakfast For Beatlovers, with Curtis, perhaps the best dj ever. He’ll play techno, reggae, soul, breakbeats, and hip-hop so smoothly, it’ll blow your mind. Tusday afternoons 2-4pm with Thaddius Maximus will also do much to break down any misconceptions you might have of college radio djs. The guy seems to enjoy himself, and plays good music.

Live Review: Big D & the Kids Table 11.08.04

by on @ 2:47 pm

“Thank you for listening to the muzak Big D & the Kids Table.”
-Dave McWane

So, here’s a bit of advice for show promoters: do not book shows outdoors, near a river, in Kansas, in November. Also, please have the common decency to not charge eight fucking dollars for a one-band show under the aforementioned circumstances. That being said, seeing Big D & the Kids Table at the Gaslight Tavern here in Lawrence last night was a really nice start-of-the-week treat. There’s something about being at a show where’s there’s less than 20 people to make it feel really special. The fact that the heaters didn’t work and that the Free State Brewing Co. Ad Astra Ale is plenty strong also led to me feeling “special.”

Anyhow, Big D made the best of the night and played a shortened set with plenty of energy and… well… beer. Still, the band managed to put on an energetic show, although they didn’t move much due to the Gaslight’s tiny stage, as well as the more-than-usual amaount of clothing everyone was wearing. The waiting for the show to start was almost as much fun as the set itself. I hung around the merch table, talking with merchman extraodinaire, Michael J. If you get the chance to see Big D, seek the man out and chat him up, as he’s really easy to talk to, and has hella good stories to tell. He’ll also sell ya Big D’s merch (I got myself a swank new beanie for ten bucks).

Like I said, it was nice to get to see these guys live, especially since they’ve put out an EP and a full-length in the four years since I’ve seen them. The old songs sound better, and the new stuff is amazing live. The set was about half audience-requested tunes, too. I’m none too fond of their newly released How It Goes, but live, the tracks sound fucking amazing. “We All Have to Burn Something” is a fantastic spoken word rant that was probably the highlight of the set for me, mainly because my call for “51 Gardner” was shouted down nearly unanimously by the band. Dammit.

the setlist:
Little Bitch
Evil Girl Angry Girl
You Lost, You’re Crazy
Are You Just Scared?
Cuteshow
We All Have To Burn Something
Find Out
Chicago
New England
She Won’t Ever Figure It Out
Bender

Quick, somebody gimme twelve dollars

by on November 8, 2004 @ 12:49 pm

The Pixies, at the start of their reunion tour, way the fuck back in April, were contracting with a company to produce live discs of their shows, that were immediately available following each concert. Evidently, that was only for the first leg of the tour, because when they got to Kansas City, they weren’t doing it, and I haven’t been able to find that show anywhere, despite scouring every BitTorrent site I could lay my beady little eyes on.

But god bless Frank Blank and company, because they’ve finally wised up and made the shows available online. For the low, low price of $11.99, you can download 256 Kbps mp3s of the shows, starting on September 30 of this year. Coincidentally, the Kansas City show was October 1, so I just squeaked in under the gun.

Sure, it’d be nice to to be able to order them, a la Fugazi and their live cd series. Because, really, an mp3 is still an mp3, and if I’m dropping 12 bucks for a download, I’d at least like lossless media format, such as FLAC or something. Then again, I’m a geek.

Fuck you, cancer

by on November 2, 2004 @ 7:06 am

Want an exclusive band t-shirt that makes people wonder where you got it? Want to help try and cure cancer? Want both at the same time? Go check out Shirts For A Cure, which… well, fuck it, I’ll let their website do the talking:

“The Syrentha J. Savio Endowment (SSE) was established by punk rock photographer Mark Beemer in 2002. SSE provides financial assistance to underprivileged women who cannot afford expensive breast cancer medicine and therapy. Because SSE is active within the punk rock community, the Shirts For A Cure project was launched to give voice to the social concerns of punk bands and their many fans.

When a band donates a shirt design, the design becomes an SSE exclusive. We sell the shirt and use the proceeds to help women fighting breast cancer. All shirts are printed on 100% pre-shrunk cotton. Each shirt costs $12 plus shipping and handling.”

Bands include the Explosion, Strike Anywhere, Avenged Sevenfold, the (International) Noise Conspiracy, Hot Water Music, Good Riddance, Thrice, Thursday, and Taking Back Sunday. Alkaline Trio, as well as Coheed & Cambria have shirts coming too. Check it out, help some ladies, and get a cool shirt in the process.

CD Review: the Dollyrots – “Eat My Heart Out”

by on November 1, 2004 @ 5:20 pm

The Dollyrots describe themselves as “bubblegum punk.” I love it when a band manages to actually describe themselves in an accurate manner. Those two words sum up all that is the Dollyrots. They’ve got an edge to them, instrumentally, but vocally, singer/bassist Kelly Ogden resembles nothing so much as Kay Hanley crossed with that chick who sings for Melt Banana. Not so much in the speedy delivery, but the fact that you think she might be a little bit crazy- in a good way, of course.

If there wasn’t that nice encapsulation of “bubblegum punk” to describe the Dollyrots, then “coquettish” would work just as well. They strike me as a much more fun Tsunami Bomb, the sort of band you’d like to invite to sleep on your floor and play Scrabble.

But enough about their personality. Let’s talk music. “Jackie Chan” would make a great song to play back-to-back with Ash’s “Kung Fu.” It has that song’s same bouncy spirit. “Goodnight Tonight” hits the same sort of punk rock prom ballad territory as Tilt’s “Berkley Pier.” And Eat My Heart Out‘s single, “Kick Me to the Curb”, is the best “dump me before I dump you” song I’ve ever heard. The only complaint to be had is that, just once, it’d be nice to hear a punk song called “Dance With Me” that you could actually dance to.

Overall, though, the Dollyrots are set aside from most pop-punk bands in that they actually embrace their pop side, and acknowledge the fact that catchy songs aren’t necessarily a bad thing. The vocals are pure bubblegum, but the fact that the guitar and drum work of Luis Cabezas and Joshua Valenti is rougher and more rock than your average pop-punkers.

Panic Button Records
the Dollyrots

I ain’t no goddamn son of a bitch

by on October 30, 2004 @ 8:08 am

Since tomorrow is Halloween, and I don’t plan on doing any updating then, I figured I’d be a nice music-giving individual, and hook y’all up with some free mp3s of everyone’s favorite act ’round this time of year. That’s right- the Misfits. And I mean the original Misfits, when Danzig was singing.

Ghoul’s Night Out
Where Eagles Dare
Bullet

And lastly, a live version of Kansas City streetpunk act Tanka Ray doing “Hybrid Moments” live on KJHK‘s Plow the Fields program in October of 2000.

Live tv can provide so much fun

by on October 25, 2004 @ 10:42 am

So, Ashlee Simpson‘s debacle on SNL this weekend seems to be the big talk of the day ’round these parts of the Internet.

And, being as how I am your musical maestro ’round here at the MoFo, I figured I’d hook you all up with some clips of the incident, as well as young Miss Simpson’s excuse at the close of the broadcast.

It’s pretty goddamn funny, being as how her band just keeps playing after she walks offstage. They’re pretty damn good, which makes her lameass excuse following the whole thing pretty sad indeed.. Evidently, according to Ashlee, her band “started playing the wrong song”, so she figured she’d do a little hoedown. Right… so, that’s the reason your voice started coming out of nowhere, when the mic was nowhere near your mouth? Nice evasion, girl.